{"id":4128,"date":"2023-02-06T12:22:04","date_gmt":"2023-02-06T15:22:04","guid":{"rendered":"https:\/\/galerialume.com\/?post_type=exposicao&p=4128"},"modified":"2023-05-17T12:56:01","modified_gmt":"2023-05-17T15:56:01","slug":"a-espreita","status":"publish","type":"exposicao","link":"https:\/\/galerialume.com\/en\/exposicao\/a-espreita\/","title":{"rendered":"Lurking"},"content":{"rendered":"

Memories for Forgetfulness<\/span><\/p>\n

Sometimes memory and image, experience and dreams, gesture and word are confused. The war narrated by the family, the imperfect escape, the boats waiting in the port, the arrival in a place where speech is unknown… image. The planes falling, the divers jumping almost in sync, the twisted politicians on the television screen. Image. In this case, possibly, those who listen attentively to the stories told -even without ever experiencing the obstacles experienced- are very similar to those who look attentively through the window, be it a concrete gap open to the world or a box for receiving images. \u201cNo birds cross, no dogs bark. We are here and not there, maybe we feel relieved; even though this \u201cthere\u201d is in immediate proximity, even though the sounds of guns that we hear right here around us are confused with those broadcast live on TV,\u201d writes curator Marisa Fl\u00f3rido Caesar.<\/span><\/p>\n

Even if we are submerged in photographs every day, there is always something that is hidden from our eyes. The camera promises to immortalize the moment, but the instant slips away with time, escapes from the frame that wants to be history, but manages to return, manifests itself between what is seen and what is hidden. Daughter of Lebanese immigrants, in 1966, Ana Vit\u00f3ria Mussi goes to Kfaraakka1, the city of her ancestors, in search of the forgotten memory and returns with boxes of negatives that have not yet been developed. For her, what is not unveiled reveals more than the obviousness of the motionless scene. What does Kfaraakka, a village of melancholy (literal translation from Arabic), set among rolls of negatives guarding secrets tell us? In the preface of the book \u201cMemory for Forgetfulness,” by Mahmud Darwich2, the writer Ricardo Lis\u00edas, great-grandson of Lebanese, tells that in 1982, he asked about the bombings that happened again in Beirut. He did not understand his mother\u2019s explanation, but at that very moment he understood why the oldest in the family seemed to have a hole inside. Is there forgetfulness enough for them to forget? What remains is the taste of kibbeh, the nose, the marked dark circles under the eyes, a sticker with maktub written backwards and the accent that insists on changing\u201cp\u201d to \u201cb.\u201d It is a \u201cremake\u201d because we are returning to what was once an image, a film of us, condemned to return by negation, from which dialectic cannot be freed.\u00a0<\/span><\/p>\n

With works from different phases of Ana Vit\u00f3ria’s production, \u201c\u00c0 espreita\u201d (lurking) exposes an artist who sees through cracks and photographs everything that is hidden between seeing and not seeing. There is no longer the truth\/photographic document, but its invisibility and the constant clash between reminiscence and forgetfulness. Silence. No seagulls… the image hangs on by a hair.<\/span><\/p>\n

    \n
  1. City in northern Lebanon from where Ana Vit\u00f3ria Mussi’s family emigrated.<\/span><\/li>\n
  2. Darwich, Mahmoud – M\u00e9moria para o esquecimento; 1. Ed – Rio de Janeiro: Tabla, 2021<\/span><\/li>\n<\/ol>\n



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    Memories for Forgetfulness Sometimes memory and image, experience and dreams, gesture and word are confused. The war narrated by the family, the imperfect escape, the boats waiting in the port, the arrival in a place where speech is unknown… image. The planes falling, the divers jumping almost in sync, the twisted politicians on the television […]<\/p>\n","protected":false},"featured_media":4129,"template":"","acf":[],"yoast_head":"\nGaleria Lume - Lurking<\/title>\n<meta name=\"description\" content=\"Retrospectiva da extensa produ\u00e7\u00e3o da artista, que dedica-se \u00e0 investiga\u00e7\u00e3o das imagens pela fotografia, explorando seus limites e possibilidades al\u00e9m dos usos e meios convencionais\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/galerialume.com\/en\/exposicao\/a-espreita\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Galeria Lume - Lurking\" \/>\n<meta property=\"og:description\" content=\"Retrospectiva da extensa produ\u00e7\u00e3o da artista, que dedica-se \u00e0 investiga\u00e7\u00e3o das imagens pela fotografia, explorando seus limites e possibilidades al\u00e9m dos usos e meios convencionais\" \/>\n<meta property=\"og:url\" content=\"https:\/\/galerialume.com\/en\/exposicao\/a-espreita\/\" \/>\n<meta property=\"og:site_name\" content=\"Galeria Lume\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/GaleriaLume\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-17T15:56:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/galerialume.com\/wp-content\/uploads\/2023\/02\/02.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1295\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/galerialume.com\/en\/exposicao\/a-espreita\/\",\"url\":\"https:\/\/galerialume.com\/en\/exposicao\/a-espreita\/\",\"name\":\"Galeria Lume - 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